On the other hand, if what you are looking for is over-saturated colors as Velvia is known for, that can easily be achieved in post processing. It is like there was no D800 until a month or so ago. However, that was the only medium available to me in the 3 decades prior to the 2002 to 2005 period. I have zero interest in capturing more of those to increase my frustration. However, Fuji is still producing Velvia although there are not as many labs processing them now.Īs I wrote earlier, I am very frustrated every time I look at my old slides. Of course, if you want Kodachrome, that is no longer possible, and Kodak is phasing out all slide film. If you like the look and feel of slide film, use a film SLR and slide film. That's all.John, I am afraid that is the wrong approach. What I'm interested in is replicating the look/feel of slide film, using a Nikon d300s (or similar). Whether I'll ever be able to replicate slide film results is another matter, but I'll give it a go. Ordered the 35mm f1.8 G DX lens to go with it. It's besieged on all sides - from its FX big brothers, and from Nikon's higher-end consumer models, particularly the D7000, not to mention the much anticipated D400.Īctually, I originally ordered a D7000, but once I handled one and discovered how small and plasticky it felt in my hands, I switched my order to a D300s. The D300s seems to be in a slightly odd position in the Nikon lineup. So I will be giving the F3 a rest for a while. And I've just laid out a chunk of cash on the D300s. The downside? It cost me over £80 to process the films. As usual with slide film, I am happy with the look of the photos even when the photo itself may leave me wondering "why did I take this photo of nothing much at all?" This is particularly true of the two rolls I decided to have cross processed, they came out beautifully. (In fact I posted a link to the Flickr gallery in the Colour Slide forum but it's been deleted for some reason). I just got back from a trip to Sarajevo, where I used my venerable D70 (and iPhone) but also took 8 rolls of film, four of which were Ektrachrome. My guess is he was referring to image resolution, a question, really, of 'quantity' rather than 'quality'. Yes, I suppose my question was a bit provocatively abstract, but then I was quoting Mr Hogan, not making the "better than Velvia" comparison myself. I still currently own every one of the cameras I mentioned above, except for the D300S, which I have never owned one myself. Nowadays, every time I look at them, I am very frustrated with their quality. I still have literally 10s of thousands of slides from the last few decades. It is perhaps 90%, 95% similar to the D300, but I never own one myself.
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